Sentence examples for musical sensitivity from inspiring English sources

The phrase "musical sensitivity" is grammatically correct and commonly used in written English.
It refers to a person's ability to understand and appreciate music, often in a emotional or intuitive way. One example of using this phrase could be, "The composer's success can be attributed to her musical sensitivity, as she was able to effectively convey the emotions of her music through her intricate melodies and harmonies." This sentence highlights the importance of musical sensitivity in the creative process and how it can enhance the quality and impact of music.

Exact(15)

Dr. Eger, who describes himself as tone-deaf, said he believed that Dr. Stine's "musical sensitivity makes him more sensitive to the verbal nuances and emotional meanings conveyed through words and speech, which would help him have a fuller understanding of the emotional range of what's being expressed".

Mr. Magloire, who studied classical composition at the Cologne Conservatory of Music in Germany, has great musical sensitivity.

Admittedly, not all directors are known for their musical sensitivity.

N.Y.C.B. is known for its musical sensitivity, and Peck uses this.

He developed a commanding technique, cultivated an exceptionally warm tone and manifested deep musical sensitivity.

Her pianism is distinguished by acute musical sensitivity, lyrical grace and pearly sound.

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Similar(39)

Lugansky combines formidable technique with musical intelligence and sensitivity.

His keen ear for color and acute sensitivity to musical character were always evident.

But the truth is he was a natural - born into an ideal situation, where there was ample sensitivity and musical intelligence around him about his chosen art.

Noting Coppola's "distinctive sensitivity and musical aesthetic" and her ability to balance "the classic and the modern", the Rome Opera Foundation's general manager, Carlo Fuortes, said the production of La Traviata would take inspiration from the world of film.

Valentino, who sits on the opera house's board, approached the American director after seeing her 2006 film Marie Antoinette, which he said showed she possesses "a distinctive sensitivity and musical aesthetic, balancing the classic and the modern".

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