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The music was loud – not rock-concert loud but much louder than anything I'd ever heard in a classical music setting – and it was Glass's Music in Twelve Parts.
In the song's lyrics, Harrison presents a contrast between the world of material things and his spiritual goals, and the conflicting themes are represented in the musical arrangement, via juxtaposing sections in the rock genre and an Indian music setting.
The piece began in blackness, the music setting a haunting tone, like a mystery film.
Candlelight and soft music, setting a suitable mood, can perform miracles.
Most viewers will find Mr. Fuhrman's career concerns less fascinating than Martha and the Skakels, good-looking, privileged teenagers at play, with 70's music setting the mood.
Mr. Glass responded with some of his most agile, vivid music, setting scenes with a genuinely impressive emotional specificity, as well as a keen ear for beguiling sonorities.
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Pulsating Cuban music sets the mood.
His music sets the mood throughout: elegiac, jaunty, ominous.
Something about the music sets off my classical radar.
Snippets of Schoenberg's music set the mood.
But this series is a triumph of music, set design and lighting, not imagination.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com