Sentence examples for museum ready from inspiring English sources

Getting the museum ready to welcome paying visitors again will be another matter.

In a piece for Vanity Fair three years ago, he pointed out that all the arguments concerning pollution and weathering were now redundant, because the Greeks have built a beautiful museum ready to house their heritage.

But as I walked around, I couldn't help but notice that as they scurried to get the museum ready for opening day, all the construction workers I saw were men, and most (not all) were white.

In Los Angeles alone we have the examples of the Getty, the Huntington and the Hammer to look to, with Eli Broad's Bunker Hill museum ready to join their ranks next year.

OCMA has run operational deficits of anywhere from $792,000 to $1.04 million from fiscal years 2012 to 2014, but the strongest motivating factor for the staff reorganization is getting the museum ready to build a new home at the Segerstrom Center for the Arts in Costa Mesa.

Compared with the rest of the field of about 50 cars, the Pontiac looked museum-ready.

It is challenging enough for a band to churn out museum-ready facsimiles of 80-year-old pop tunes outfitted with stylistically accurate period arrangements.

A lot of recent performance art in New York, particularly that in the biennial festival Performa, has had almost the opposite properties: It's polished, packaged, pricey, museum-ready.

Arp's work in bronze may look too museum-ready, but in "Head With Annoying Objects" (1930), a smooth, amorphous lump with smaller, sluglike elements attached, the stuffy polish is offset by a finely tuned sense of the ridiculous.

He estimated that it could cost $10 million to make B Reactor museum-ready, beyond the costs of the current cleanup of the Hanford reservation, which are expected to total many billions of dollars in the next few decades.

While not exactly a museum-ready exhibition, "Constable Oil Sketches: The Maria Bicknell Years (1809-1829)" close close, with several works on loan from the Met, the Frick, the Tate, the Victoria and Albert, and the Yale Center for British Art which feature his distinctive, carefully studied clouds and cows and emerald-green fields.