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With people around the world drawn to museum presentations, 2011 has offered an especially crowded calendar.
Two major museum presentations of Buddhist art in California are filled with art of exactly this kind.
The museum presentations are simple and well thought out, but the collection is so big that even in a two-hour guided tour, it is difficult to fully absorb the back stories of so many items.
The ambivalent effect points up an irony endemic to museum presentations of politically refractory art: whatever discontent the artists express is cushioned by their inclusion in — say it — élite institutional culture.
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It's the rare museum presentation that has such advantages.
It also demonstrates some of the limits of traditional museum presentation.
Unfortunately, the presentation here does not reflect Mr. Wilson's usually canny way with the language of museum presentation.
The museum presentation often sharpens appreciation of Weegee by comparing his images with those by other photographers.
But the topic is more suited to a museum presentation; this small but overly ambitious gallery show does not really make the case.
And the process for applying for money can be complex and discouraging to museums that want to move quickly and innovate (the standard museum presentation in most apartment spaces is decades behind in design and the integration of technology).
The idea came through even more strongly a month later, in Andre's contribution to "Primary Structures," at the Jewish Museum, the first large-scale, museum presentation of work that would be identified a year later as minimal art.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com