The Digital Museums panel featuring Willa Koerner from SFMOMA, Caitlin Denny of JstChillin.org, Eric Socolofsky of The Exploratorium, and Kevin Hull of Hirshhorn Museum generated a though-provoking discussion.
At the museum the panel hangs near a cafe and two abstract 1930s murals that Arshile Gorky painted for a Newark Airport building.
We learned about art theory, which colors made which, how to draw a portrait (how the eyes, surprisingly, are in the center of your face), went to museums, made panel narratives like Jacob Lawrence and cut-out compositions like Matisse.
She develops her ArtDoors while working on museum quality panels, with complex layering of paint.
Around the same time, Michael Asher and Daniel Buren were staging interventions in art museums, removing panels from the building facade or paintings from the wall and calling attention to the change; if you are interested, you can check out the installation photographs.
There always seems to be something going on at the museum — opening receptions, panel discussions, educational seminars.
Four years after the donation of 2,070 photos created by Annie Leibovitz to a Nova Scotia museum, a government panel is balking at its $20 million valuation.
Last month, a few of the people who know most about spacesuits gathered at the museum for a panel discussion about the design decisions and trade-offs that went into creating these most personal of space-race artifacts.
On Sept. 24, from 1 to 7 P.M., there will be a tour at the museum and a panel discussion at Sotheby's auction house, to look at a distinct New York style as seen in furniture, silver objects and prints.
