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Yet, we have found, in the context of research on the use of social media for museum interaction as part of UCL's QRator project, that if we encourage visitors to respond to questions and trust them to say what they wish, they will produce interesting, compelling, and, yes, polite content.
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In addition to toys and tech products, we note that technology is making changes in children's and other museums where visitors of all ages gain more value from live interaction with museum exhibits.
In Lawrence Kramer's wonderful article he compares the sedentary nature of a concert hall with the lively interaction of a museum.
The typical guided tour in a museum does not involve such interaction.
Horn et al. (2012) describe visitor interaction with an interactive tabletop exhibit in a natural history museum.
And unlike art museums, science centers often see interaction as an essential part of a display.
Hence, the suggestions in this study constitute important guidelines for museums designing technology for the interaction between mobile devices and 3D immersive-heritage models.
Often, one of the joys of opening-night museum parties is the opportunity for physical interaction with the objects on display, an act that is usually frowned upon in the traditional museum context.
While only a handful of museums have successfully harnessed Web users to develop their collections, social-media platforms are starting to foster new kinds of interactions between Web audiences and museum curators long accustomed to working only with other experts.
This study expands on sociocultural approaches to meaning making in art museums by exploring the physical aspects of interaction with art in traditional gallery spaces, and in the context of technology use.
At these moments, a more accessible virtual museum begins to assert itself, one that encourages interaction between art and the user.
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