Sentence examples for museum catalogues from inspiring English sources

To pass the time, he drew martyrdoms for his mother using museum catalogues she collected.

His work is published in museum catalogues and in scientific publications, including Antiquity and the official journal of the Royal Microscopical Society.

IN HIS life Giulio Andreotti collected many things: his own speeches going back to the 1940s, theatre programmes, menu cards, museum catalogues, the maps of cities he had visited and endless notes and documents contained in more than 10,000 files, all of which he handed over to an archive in Rome.

Writing in Chelonian Conservation and Biology in 2010, McCarthy (and a colleague Aaron Bauer) were able to identify both Darwin and Covington's tortoises in a succession of museum catalogues produced by a succession of curators, ultimately being given a new accession number in 1874 (1874.6.1.6).

Second, we counted the number of orangutan specimens collected by a particular hunter, as recorded in museum catalogues.

Museum the specimen is housed at, catalogue number of the specimen, species label as recorded by the museum (MNHN = Muséum National d'Histoire Naturelle, Naturalis – Nationaal Natuurhistorisch Museum, NHM = Natural History Museum), unique identifier, locality of provenance as indicated by the museum catalogues, and locality number as used in Fig. 1 are given.

The novel would be the museum catalogue.

Beard had discovered it in a museum catalogue while researching her most recent television show, a program about Caligula, who reigned bloodily for less than four years before being assassinated by members of his Praetorian Guard.

In an adjacent space, known as the Transformer Galleries, the museum will show Lis Rhodes's "Light Music 1975" and a recent acquisition; Suzanne Lacy's "Crystal Quilt 1987," a film of 430 women over the age of 60 that the artist describes in an essay for the museum catalogue as "a tableau vivant," raising questions about the perceptions of older women.

Then, a cognitive-functional model is proposed to explore the visual pragmatic effects of the distance representation in bilingual museum catalogue entries of Chinese landscape paintings, through investigating the presentation and focalisation of distance expressions.

Photographed with a museum catalogue level of precision and beauty, every image reflects Cyr's deep respect for the darkroom process - a process rapidly disappearing with the advance of digital photography and ink jet printing.