Sentence examples for multicultural museum from inspiring English sources

Exact(1)

He leaves a formidable legacy, and a good argument for keeping controversial works such as the Benin bronzes and the Parthenon marbles in Britain as part of a multicultural museum.

Similar(55)

Its latest catalogue, entitled World Art, stresses the multicultural richness of the museum's collections, from Japanese armour to stained glass; the place is lively and modern, with one of the nicest museum caffs you could hope to find.

This pastoral vision in the center of multicultural London — and the museum exhibitions and royal displays that make up the coronation celebrations — have been made more poignant by the underlying knowledge that the queen, and especially her husband, Philip, are not infallible.

His Radio 4 series A History of the World in 100 Objects, told a subversive multicultural history of humanity using the museum's collection.

Situated on a splendid Mediterranean harbor, surrounded by hills and blessed with an average 300 days of sunshine, a variety of museums, great restaurants and a vital, multicultural population, it has just about everything a visitor could ask for.

And the 14 museums belonging to the SAC not only contain objects from Europe, but from Turkey, India, China, Africa, South Seas …" So in turning the museums of Dresden to face a multicultural world Fischer has also made a point about Germany itself: that the German heritage is not exclusively European, let alone Germanic, but global.

From the dead-end thinking of 2007 with its terrible assumptions that socio-economically challenged communities and multicultural neighbourhoods cannot appreciate fine art, we now have museum of the year.

A new French sitcom, the latest offshoot of that film, is set in a place with intriguing museums and galleries, appealing restaurants and a multicultural population — Brooklyn.

A 1998 action-comedy movie, "Taxi," was set in a place with intriguing museums and galleries, appealing restaurants and a multicultural population — Marseille, on the southeastern coast of France.

The Art of the Americas, as a multicultural category, didn't exist in the late Victorian-to-Gilded Age museum of my youth.

The dedication to advancing Barnes's personal multicultural agenda is what separates his foundation from the other collections turned museums, the Fricks and Gardners of the world, and Camp wants to preserve that distinction.

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