Sentence examples similar to much more actor from inspiring English sources

"Digital video is much more actor-friendly than film, as far as I'm concerned," Mr. Leonard said.

Mr. Branagh and Ralph Fiennes, another high-profile Royal Shakespeare alumnus, have agreed to work with the company under the new arrangement, which a spokeswoman described as much more actor-friendly than the previous one.

Then he starts doing cartwheels and pratfalls, and it's clear that he's a much more physical actor than either of those look-alikes of the past.

For example, because 3D cameras pick up so much more nuance, actors must be careful to under-emote, otherwise they will come off as phony.

JM: The same mechanics and tactics used by ISIS are now being used by much more sophisticated actors, from hostile governments to kids who are coordinating activity on the internet to undermine things they don't like for cultural reasons.

Knightley and Ruffalo are certainly much more accomplished actors than "Once's" Glen Hansard and Marketa Irglova, but they are coasting on their personas here more than acting, and their star quality makes the numerous calculated contrivances of "Begin Again's" story more obvious and harder to swallow than was the case with "Once's" relative unknowns.

However, enzymes and natural antioxidants that are highly specific are present at relatively low concentrations; the antioxidant arm of the so-called oxidant/antioxidant balance is significantly implemented by less specific or efficient, but much more abundant, actors that are represented by amino acids, peptides and proteins [ 14- 18, 42, 65, 66].

"He's much more than an actor or a singer," said Todd London, artistic director of New Dramatists and a loyal if sporadic attendee with his family.

Though initially little known here, in Britain Mr. Corden "is much more than an actor, he's a big personality, who hosts panel shows and will go into stadiums and introduce sports teams," Mr. McCrystal said.

Yet he was much more than an actor who hid behind layers of makeup, as was amply demonstrated in his acclaimed "straight" performances in films such as Tell It to the Marines (1927), While the City Sleeps (1928), and Thunder (1929).

Much more than most actors, he controlled the flow of time in his movies, and directors must have realized that he knew what he was doing, because you see Hoffman's command again and again.