Sentence examples for moving the reader from inspiring English sources

But it errs on the side of the mundane, and rarely succeeds in moving the reader to the degree that the material deserves.

Halberstam feels constrained to portray all 12 men seriatim, and though he does an extremely deft job of simultaneously rendering his portraits and moving the reader ever deeper into the horror of their fate, in places the book comes to read like an expanded version of The Times's "Portraits of Grief" series.

One of the striking features of the judges' televised discussion in the run-up to the prize announcement was the extent to which they discussed all six of the shortlisted books in emotional terms: essays on cities, works of history and biography were repeatedly praised for moving the reader to laughter or tears - just the kind of response that fiction is traditionally expected to provoke.

It investigates unresolved aspects of Joyce scholarship, such as the structure of Ulysses and Joyce's narrative techniques, moving the reader toward a new understanding of "Penelope". Ultimately, readers will recognize that "Penelope" is not, in fact, the final episode of Ulysses but rather an event that is akin to the claim "it's the end of the world," or the end of Ulysses proper.

As stated by Denzin ([ 30], p. 228), autoethnographers "…bypass the representational problem by invoking the epistemology of emotion, moving the reader to feel the feelings of the other".

In The Sciences, one of the ways this relevance emerges is through a "day in the life" device, where the beginning of each chapter contains a snippet called "Science through the Day," moving the reader from sunrise to sundown on a trip to the beach.

The result is a book that not only moves the reader but also informs and entertains.

A second section moves the reader to New York, in 1986, where June, now middle-aged, is the owner of a successful antique business.

When something inexplicable happens in the transfer from writer to reader, and the piece, despite its imperfections, rattles and moves the reader.

Chair and author Sam Llewellyn, who was published by the late agent himself, called it "a novel that can move the reader from sadness to laughter with alarming suddenness.

In 2003, "We Need to Talk About Kevin" moved the reader into the head of the mother of a high school killer who snarls out from juvenile prison during visiting hours.