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In "Loving," Richard's particular reticence his unwillingness to attend the Supreme Court hearing, his discomfort on camera, his taciturn responses to interviewers are moving conclusions to a drama that's ultimately about the desire of ordinary people to live their own lives and merely be left alone.
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It is, happily, an astute one, with a genuinely moving conclusion.
But presented by the National Jewish Theater, it's a cogent, astute one, with a genuinely moving conclusion (1 30).
Christiane Harlan, credited as Susanne Christian, played a German captive forced to serenade French soldiers in the film's moving conclusion; she married Kubrick after the production.
In this twilight novel, history is denied by Josef's turn from memory and Irena's quest for the future, but Milada, who did not leave Prague, invests "Ignorance" with its melancholy, moving conclusion.
The film's moving conclusion, which finds Mr. Goldberg arranging a visit by Israeli kids to a Palestinian camp, may look like a screenwriter's idea, but it was actually generated by the children themselves.
When he finished the jury was dismissed for deliberation around 2pm. Matt Kamholtz (of Feinburg & Kamholtz LLP), my co-counsel, shook Nesson's hand and praised his moving conclusion: "That was the best closing I've ever seen".
It builds to a rather moving conclusion -- Robert Hock, as the doomed monarch, Berenger I, turns in an increasingly touching performance as he finally succumbs to his inevitable fate -- but far too rarely does Mr. Hardy, Mr. Hock or any other cast member find a way to exploit the playwright's humor.
Her climactic solo song, "Home," should bring the show to a satisfying, perhaps even moving conclusion, but Ashanti's performance is vocally accomplished yet hollow, as if she'd been given the song the day before and learned it by rote for one of the middle rounds of "American Idol".
But much of the scene's power is all about the actor: after spending the whole of the film in such upstanding, even self-righteous bafflement, his clear-eyed terror make this a deeply moving conclusion – unusual for a horror that had more than a touch of the Hammer to it.
Ms. Perry neatly differentiates all three roles she plays, but is particularly fine as a young woman whose fraught encounter with Juliana at the family beach house on Cape Cod (the "other place" of the title) brings the play to a moving conclusion.
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