Sentence examples for moves in the view of from inspiring English sources

Exact(1)

The governor made two other moves, in the view of the legislative leaders, that helped push the Assembly Democrats and the Senate Republicans together.

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Given the youthfulness of the Saudi population -- 70% of its citizens are under 30 -- and its long dependence on government handouts, such moves could, in the view of many analysts, lead to widespread civil unrest.

After extensive discussion last week about what it would take to lure the union into an agreement on a tax on the highest payrolls, the clubs' negotiating team, in the view of the union, moved inches when yards were needed.

He told me that the large, semi-mobile houseboat community that lives in and around Oxford were subject to new restrictions and mooring charges in an effort to move them from the view of tourists and the upwardly mobile and vowed there would be a fight back.

In December, the F.D.A. rejected Brilinta in a surprising move, opposing the views of a scientific advisory panel that had voted 7-1 in favor of the drug in July 2010.

The desire to move more quickly reflects the view of many in the Pentagon who want to ease the strain on the military but also to free more troops for Afghanistan and potentially other missions.

There are views of Paris that could normally not be seen in any other way except in the movies: the camera lovingly moving up the Eiffel Tower in "Le Chanteur de Mexico," or the view of Notre Dame cathedral from a nearby rooftop in "Is Paris Burning?" Of course, there is also a Paris that never existed, as Hollywood delighted in creating an imaginary Paris in its studios back home.

Participants wearing head-mounted displays visually perceive touch in a location in virtual personal space (namely a finger moving in view of a remote camera as if poking the chest) that appears congruent with the location in personal space where they feel but do not actually see the tactile stimulus (namely by being poked on the chest) [3].

A different approach is then proposed, enabling separation of sources corresponding to objects moving in the field of view.

An isolated bead was used as a fiducial, and it was moved in the field of view along a grid pattern, using a piezo stage, and at each grid position an image was recorded in both color channels, as illustrated in Fig.  4a.

Mr. Move's focus is the intersection of dance studies, media studies, and gender and queer theory; his mentor is the professor and dance theorist André Lepecki, who has written about Mr. Move in the context of viewing the body as an archive.

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