Sentence examples for motor rhythm from inspiring English sources

What's remarkable about Mr. Ratmansky's "Middle Duet," compellingly set to a score by Yuri Khanon that evokes both Bach and the tango, is its brisk, quietly inexorable, motor rhythm.

The other is brain-machine interface neurofeedback training, which provides real-time feedback based on analysis of volitionally decreased amplitudes of sensory motor rhythm during motor imagery involving extension of the affected fingers.

Jonny Greenwood's loops and digital machinations weren't particularly arresting, and the group appeared to hit a bump in "Weird Fishes/Arpeggi," one of the strongest songs on its most recent album, "In Rainbows," with Phil Selway's steady, stiff motor rhythm as its I-beam.

The historic chapel, damage in the 9/11 attacks, sits on the fringe of the vast construction site that the area around the former World Trade Center has become, and the air hammers give new meaning to the term motor rhythm.

Our general mathematical approach will allow our findings, while made in a model for turtle motor rhythm generation, to be extensible to other networks with fairly general features.

It is named Luria-Nebraska Test for Children (in Portuguese, "Teste Luria-Nebraska para Crianças"—TLN-C) and investigates 10 functions in children from 6 to 12 years of age, as follows: motor, rhythm, tactile, visual, receptive language, expressive language, writing, reading, arithmetic and immediate memory.

In this study, we examine whether multi-modal neuroimaging, based on simultaneous EEG and near-infrared spectroscopy (NIRS) measurements, can assist in the robust detection of the idle class within a sensory motor rhythm-based BCI paradigm.

Much of it has an improvisatory feel, highlighted in the solo writing of the opening section, and interspersed with a neo-baroque use of motor rhythms.

It's romantic music too, with achingly beautiful ethereal violin solos underpinned by thrumming motor rhythms derived from 60s minimalism and 70s and 80s electronica.

The musical atmosphere of the 1920's is already familiar from the exuberant anarchy of early Shostakovich and the manic grandeur of Miaskovsky's first symphonies, not to mention the propulsive motor rhythms of Prokofiev's empathetic Parisian style.

The motor rhythms and glinting harmonies of Prokofiev's Piano Concerto No. 1, a rebellious student work played with panache by Blair McMillen, felt like a knife plunged into the treacle of symbolist excess.