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The ground motion amplification in the shallow and deep ground is described by a one-dimensional wave propagation theory.
We focus on wave propagation in the frequency range of 0.1 0.5 Hz considering characteristic ground motion amplification in the target area and the signal-to-noise ratio of signals obtained by the seismic interferometry.
An increase of ground motion amplification in the form of ASA, DGM and AAF was obtained with an increase of shape-ratio of the basin (in the range 0.03 0.16).
The soil response was simulated (Chen et al. 2016) by considering the shallow structure, and the results revealed that the shallow soft layers influenced the duration of seismic wave shaking and ground motion amplification in the Tainan area.
Eberhard et al. (2010) mentions that the lack of seismographs and detailed knowledge of the physical conditions of the soils (e.g., lithology, stiffness, density, thickness) limit the precision of USGS assessment of ground motion amplification in the widespread damage.
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These previous studies imply that the ground-motion amplification in the Kobe area was significantly affected by a 3D velocity structure such as a basin edge.
The results of analyses were utilized for establishing the spatial distribution of rock motion amplification, the expected ground motions and spectral values in the area of the city.
Similar behavior was observed during the 1989 Loma Prieta earthquake, in which the sections of the Cypress freeway in Oakland collapsed due to the soil-related motion amplification.
It is the process of motion amplification that gives the crane its movement.
This paper illustrates the site characterization for evaluating local ground motion amplifications at two sites in the urban area of L'Aquila, performed for the reconstruction of buildings damaged by the April 6 , 2009earthquake.
Woo's signatures - the slow-motion amplification of violence, the air thick with wood chips and shattered glass; the impossibly cool hero, who leaps and rolls through a battle with guns blazing in both hands; the intimate stand-offs between antagonists, their gun barrels pressed into each other's foreheads - have been imitated by filmmakers as different as Quentin Tarantino and Steven Spielberg.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com