Sentence examples for mostly thrilled from inspiring English sources

Even in the midst of the European economic crisis, when soaring salaries might seem indecent, P.S.G.'s fans seem mostly thrilled with its new direction.

As the Los Angeles Times reported, locals were, at first, mostly thrilled to hear that IKEA had chosen to build the plant — its only one in the United States — in Danville, a former textile town where the average annual income is twenty-nine thousandollarsrs.

Pro-abortion activists reacted were mostly thrilled with the CDPHE news about teen pregnancy and abortion rates, but some concerns were voiced as well.

An unexpected triumph, with superb performances and a soundtrack that is mostly thrilling".

This was made especially clear to me late last year, as I watched the mostly thrilling Brazilian Grand Prix, in rainy São Paulo, on television.

(Scott) 'Contraband' (R, 1 50) Implausibility as a defining narrative principle is part of the kick of this mostly thrill-free thriller about a New Orleans smuggler (Mark Wahlberg), as is the director Baltasar Kormakur's fondness for industrial grunge.

(Manohla Dargis) 'Contraband' (R, 1 50) Implausibility as a defining narrative principle is part of the kick of this mostly thrill-free thriller about a New Orleans smuggler (Mark Wahlberg), as is the director Baltasar Korm?r's fondness for industrial grunge.

(Manohla Dargis) 'Contraband' (R, 1 50) Implausibility as a defining narrative principle is part of the kick of this mostly thrill-free thriller about a New Orleans smuggler (Mark Wahlberg), as is the director Baltasar Kormákur's fondness for industrial grunge.

(Dargis) 'Contraband' (R, 1 50) Implausibility as a defining narrative principle is part of the kick of this mostly thrill-free thriller about a New Orleans smuggler (Mark Wahlberg), as is the director Baltasar Kormákur's fondness for industrial grunge.

(Scott) 'Contraband' (R, 1 50) Implausibility as a defining narrative principle is part of the kick of this mostly thrill-free thriller about a New Orleans smuggler (Mark Wahlberg), as is the director Baltasar Kormákur's fondness for industrial grunge.

We're a mixed bag – I won't say bait bag – mostly thrill-seeking, gap-year students fresh from their first bungee jump and eager to tick off cage diving, but also a few wildlife enthusiasts.