Sentence examples for mostly presented as from inspiring English sources

Linda is mostly presented as a stubborn, lazy, self-obsessed depressive, while his children are often seen as inconveniences, ignored and abandoned, or used as weapons in domestic disputes.

But, on Kelly's show, the President is mostly presented as a sign of seriousness, as if placing the weight of the White House alongside Jones's thrown-together stories amounts to some sort of paradox.

From 1956 to 1984, it was called the Indianer Museum, because Karl May and his work were not favored by the German Democratic Republic; for the same reason, the East German Westerns made in parallel to the West German Winnetou films were mostly presented as "Indianer" films, unrelated to the work of Karl May.

This activity however, was mostly presented as a set of disorganized abnormal movements that included tremor, head bobbing, straub tail, grooming and abnormal orofacial movements rather than normal forward activity.

Until now, optical imaging with luciferase was mostly presented as a semi quantitative technique.

The results are mostly presented as percentage of the respondents giving a particular response.

The clinical manifestations of Zika are usually mild, mostly presenting as an exanthematic febrile disease, but on some occasions, it might be associated with microcephaly after intrauterine infection, and Guillain-Barré Syndrome.

This can lead to the acute disease (in 40% of cases), which mostly presents as a flu-like syndrome or as severe pneumonia; 2% of patients with acute disease are hospitalized [ 1].

The hyaline vascular type mostly presents as a single unicentric mass harboring a favorable prognosis, whereas the plasma cell type is almost always multicentric and associated with a worse prognosis [ 6, 7].

However, the geometry of LV in ESRD mostly presents as concentric hypertrophy owing to pressure overload (from increased systemic resistance), despite the concurrent existence of significant volume component [ 38, 39].

Her play was innovative in breaking several taboos discreetly observed by the likes of Noël Coward and Terence Rattigan, in whose dramas working-class characters generally appeared as chirpy subsidiaries and who mostly presented women as either madonnas or sluts.