Sentence examples for most stylistic from inspiring English sources

The ABA gave us the three-point shot, the dunk contest, the most stylistic basketball of its time, and that beautiful red, white, and blue ball.

Overall, writers showed the most stylistic similarity to those who preceded them by about a quarter century, but authors between 1907 and 1952 which included the heyday of Modernism showed the most stylistic differences to their immediate predecessors.

There is thus a general stylistics that will try to capture the most general stylistic features of such activities and then more 'local' stylistic analyses such as the one provided by Granger for scientific activities.

Mr. Frears's contribution, though, is the most interesting stylistic element in the piece.

The most distinctive stylistic feature of this area is the tense, nasal vocal quality cultivated by Plains singers.

The unintended consequence of writing about laconic, iron-jawed heroes was that Wolfe repressed his most rococo stylistic flourishes.

It is thus hardly surprising that opera, whose extramusical connotations had in the past been responsible for some of the most daring stylistic innovations, rapidly incurred the disfavour of progressive composers.

Lois Weber's short silent film "Suspense," from 1913, offers some of the most original stylistic inventions of its time, and these devices are used to illuminate an appalling subject: the threat of rape.

At the other end of the spectrum lies "The 9," which Mr. Scott wrote with the alto saxophonist Louis Fouché; its serpentine melody evokes the head-spinning post-bop once epitomized by Donald Harrison (a saxophonist, and Mr. Scott's uncle) and Terence Blanchard (a trumpeter, and his most direct stylistic forerunner).

Compare this new album's most obvious stylistic departure - the opening single 'Sabali', in which Albarn's spookily disembodied production boldly relocates Mariam's whispered sweet nothings within a musical landscape that somehow evokes both Mercury Rev and Jean Michel Jarre - with the apparently more homespun recordings on the superb 2006 compilation 1990-1995: Le Meilleur Des Annees Maliennes.

The poem "No Threshold" is remarkably Grahamish in conception, language, and even layout on the page: that there isno threshold wind sweeping the trees light-glint on grass the irises blooming then not the daylilies blooming then not then frost then gusts of snow Sheck is also fond of one of Graham's most common stylistic techniques, the inappropriate adjective.