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Sure, it's true that most script readers and the powers that be within the film, television, and literary industries likely get them wrong as well, however, better safe than sorry.
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Most scripts die in development.
"Most scripts are overwritten, too fucking chatty".
Given who gets work and what most scripts are like?
Most scripts of New Indo-Aryan are developments of the Brāhmī.
With most scripts these days, it's all about the words; so to be presented with a script like that was such a joy.
With most scripts, the theatre knows, when the text arrives, that the cast will require, say, two middle-aged actors and a child.
And most scripts, as far as I could tell, were second-rate literature and only seemed to make sense on paper.
Traceability is an issue found in most scripts.
For example, most scripts provide some information about the property 'location' of the offender.
Because the activities of the scripts are not explicitly connected to the goals, objectives of the offender (and security team), most scripts found in the literature offer little analytical support for the development of requirements.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com