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In the mid-1800's, fear of disease led city fathers to prohibit traditional burials south of 86th Street, and most cemeteries in Manhattan eventually uprooted to Queens and Brooklyn.
But at a time when most cemeteries in New York City are nearly full, Canarsie still has four-and-a-half undeveloped acres, which is why the Mayor has deemed it an appropriate candidate for reinvention, and why, on a recent sunny afternoon, Richard Moylan eased his car up the cemetery's pitted driveway, at the corner of Remsen Avenue and Avenue K, to take a look.
That cardboard coffin option isn't as bad for conventional burial, either, but most cemeteries in the US discourage them because your otherwise photogenic gravesite can sink when your coffin caves in over time.
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In most cemeteries, however, this is illegal, although human remains can be disturbed for reasons other than overcrowding for example, to make way for a new road.
He began organizing environmentally supportive burials in rural South Carolina in the late 1990s, informed by a strict conservationist's orthodoxy: no harming of plants; shallow graves (to keep the body in the soil's "living layer"); simple shrouds or even unadorned burial directly into the ground; and a maximum of 100 bodies per acre (as opposed to 800 to 2,000 in most cemeteries).
(In addition to being planned, most cemeteries are gated communities, too).
Most cemeteries replace the illusion of life's permanence with another illusion: the permanence of a name carved in stone.
It is one of the saddest and most moving cemeteries in the world.
Then we looked at some of the reputably most exclusive cemeteries in the country and priced out the cost of a private plot.
Stroll among its tidy rows of white gravestones, beneath native Torrey pines and wind-sculpted cypress, and you begin to understand why Smithsonian Magazine lists this among the most beautiful cemeteries in the world.
The Campo Santo Dubbed "the most beautiful cemetery in the world": an enormous gothic cloister of gleaming white marble which housed an exceptional hoard of frescoes and sculpture - until a stray Allied bomb torched most of it in July 1944.
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