The concept introduced here seals this gap with a smooth, three-dimensional morphing transition section that elastically lofts between the rigid wing and moving control surface in a passive and continuous manner.
Participants watched movies that contained the whole morphing sequence in 1% morphing transitions, either from other to self (i.e. from 0% self to 100% self), or from self to other (i.e. from 100% self to 0% self, see Figure 1a).
This paper introduces a compliant morphing flap transition that seeks to address a long-standing source of noise and drag in the design of aircraft wings – the gap present at the spanwise ends of the control surfaces.
The use of a morphing style transition was also to highlight this sense of growth/mutation and interconnectivity.
Instead these data are broadly consistent with the notion that hippocampal ensembles may occupy intermediate network configurations spanning the morph continuum, transitioning between them through limited pattern completion.
In O. nigriventris, size-dependent pupal remodeling of male horn length significantly altered the scaling relationship between horn length and body size, causing adult allometries to exhibit greater disparity between alternative male morphs and to transition from one morph to the other over a narrower range of body sizes compared to the pupae from which they eclosed.
The morphing, elastically lofted transition concept proposed here will then be introduced.
During the morphing process, the transition of the motion types is observed.
"We just couldn't get an exit strategy with Bonds — with his departure, how were we going to transition and morph into what we were going to become?" Sabean said, adding later: "It's just not the business model of the fan base to pull the plug and say, 'We'll see you in a couple of years.' You've got to keep trying".
In this scenario, outfits such as Jawbone, Fitbit, Runkeeper, and others may have enough institutional expertise (and focus and passion!) to make this transition and/or morph into new interfaces with the advent of new motion sensors.
Two extracts from Wagner's Lohengrin were highlights, with Kaufmann bringing to them the directness of Schubert songs; the early passages of In Fernem Land found his voice on the verge of cracking, but when this vulnerability morphed into assertiveness, the transition was seamless.
