Sentence examples for more important voice from inspiring English sources

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Exact(3)

He added, "There is no more important voice for us to hear than that of the investing public".

In a telephone interview, Ms. Quinn, who married her own longtime partner in May, said it was important to get involved in the case in order to support Ms. Windsor because she is a city resident and "there is no city with a louder and more important voice than the City of New York" on the issue of same-sex marriage.

As an immigrant, a queer, a person of color and a feminist, I will raise a deeper, more powerful, more important voice to reflect my issues and defend the right to be different.

Similar(57)

So, in further celebration of his tireless focus towards making the dance music community as well as world a safer, peaceful, and musically fine-tuned place, we asked some more important voices to share what David and The Loft meant to them.

The additional footage featuring Martin and a few other added characters (notably, Martin's friend, a Japanese officer, played by Frank Iwanaga) was directed by Terry Morse, flatly and unimaginatively, but the splicing is sufficiently deft, and Burr's crackling voice-over covers the gaps and, even more important, his voice creates a point of view and reveals a means of transmission.

The additional footage featuring Martin and a few other added characters (notably, Martin's friend, a Japanese officer, played by Frank Iwanaga) was directed by Terry Morse, flatly and unimaginatively, but the splicing is sufficiently deft, and Burr's crackling voice-over covers the gaps — and, even more important, his voice creates a point of view and reveals a means of transmission.

But, more important, that voice has announced a new kind of India.

One of the best ways to optimize your networking communications is to keep them brief and impactful, a principle that is all the more important in voice mails.

The resulting project gave these children their own radio programme and, more important, a voice.

From these production results, one could assume that for EP stop voicing perception, the acoustic cues vowel duration and/or stop durations are more important than voicing maintenance, or that all these factors interact in a complex manner that does not give voicing maintenance the strongest weight in the identification process.

"He's one of the more important choreographic voices we've got in the U.S.," Mr. Russell said.

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