The phrase "more fully appreciate" is correct and usable in written English.
You can use it when referring to someone or something that gains a greater understanding or appreciation after further thought or analysis. For example, "After studying the language for several years, I more fully appreciate the beauty and complexity of its grammar and syntax."
As another regular season winds toward a close — with no batter above.350 — it may be time to more fully appreciate Williams's profound, singular achievement.
But as she waits for the workers to finish the building, she has come to more fully appreciate what she now thinks of as her future home.
Now, as a parent myself, I can better understand what an egotistical business parenting is and more fully appreciate what Mum and Dad accomplished.
As concerts take place across the UK to celebrate his 150th anniversary, it is possible to more fully appreciate the visionary qualities of Satie's work.
"We began talking more deeply amongst ourselves about how spirituality and ecology are linked, how we could more fully appreciate that the universe is a creation of God," Sister Faith Margaret said, speaking in the hallways near the front door, which is lined on both sides with ferns, philodendron and other plants.
We can more fully appreciate what is distinctive in Smith by comparing him with Hume.
In his view, "her real greatness will be more fully appreciated in coming generations".
Heavy Mach 2, originally released on iPhone, makes its way to iPad, where its role-playing game-lite mechanics can be more fully appreciated.
The approach assumes not that one concocts events not recorded in the Bible, but that some passages can be more fully appreciated through one's imagination, which the Christian believes is, after all, a gift from God. (Rev).
Some of these should doubtless be called visuo-tactual art: buildings are ordinarily touched as well as seen, sculptures could be more fully appreciated if touched as well as seen, and even paintings may sometimes have enough three-dimensionality to repay touch experience.
But Philip French has remained one of the few prominent arts writers who have continued to demonstrate, against editorial fashion, that what is done today can be more fully appreciated when it is seen in the context of what has been done before.
