Sentence examples for more explicitly with from inspiring English sources

In the 1970s, in works like "North" (1975) and "Field Work" (1979), Mr. Heaney began to deal more explicitly with the situation in Northern Ireland.

This is very much a poet's book, gravitating toward the striking image and away from the linear narrative -- which by its nature might have forced the author to try to deal more explicitly with cause and effect than she does.

Original bubblegum was a counterweight to a rock and roll that was becoming increasingly significant, expanding into album-length statements, and grappling more explicitly with social issues like Vietnam and with literary significance.

For the purposes of such neophyte readers, "The Talented Miss Highsmith" might have dealt even more explicitly with the texts of her books, but it is a very crowded biography even without that.

Thankfully, the spectacular failures of integrity we have seen in the financial sector have not been replicated in higher education, but this research highlights the sector's need to engage more explicitly with integrity in micropolitical behaviour.

In some ways, their works dealt more explicitly with notions of black identity, and the cultural expectations that accompany it, than did the dances created by many of their older colleagues.

Lately, literary theorists have begun to pay more attention to his work, as indicated by the appearance of a collection of essays called Literary Theory After Davidson, 1 and perhaps in response to this heightened interest, Davidson has written several essays in recent years that are more explicitly concerned with literary language and with art in general.

Taylor's roots in Monk and Ellington are more explicitly balanced with his modern-classical awareness in this astonishing breakthrough recording, with the idiosyncratic saxophonist Steve Lacy on two tracks.

First, it is more explicitly designed with forecasting in mind (rather than retrospective evaluation of what happened).

This was a distinctively modern philosophical conundrum, and Soto more explicitly toyed with it in three-dimensional constructions, also from the early '50s.

This is more explicitly jazzy, with sax/trombone/bass/drums group the Source exploring a lazily animated, free-swing music influenced not only by Garbarek's ghostly meditations but also by the more urgently quirky lines of Ornette Coleman.