Sentence examples for more distant voices from inspiring English sources

Britain is finally beginning to gather up its more distant voices and listen to the rich stories that they have to tell; stories that are as central to the history of Britain and British literature as anything that we are more familiar with.

As she wrote recently: "Britain is finally beginning to gather up its more distant voices and listen to the rich stories they have to tell, stories that are as central to the history of Britain and British literature as anything we are more familiar with".

It is told in a more distant, third-person voice from the viewpoints of nine characters during one New Year's Eve in a small Alabama community.

Across three experiments using different participants and stimulus sets, we find that voices more distant from (dissimilar to) the same-gender prototypical voice in a three-dimensional f0-FD-HNR acoustical space are perceived as more distinctive, and elicit greater activity in the TVA, than closer (more similar) voices.

Voices more distant from their prototype are perceived as more distinctive and elicit greater neuronal activity in voice-sensitive cortex than closer voices a phenomenon not merely explained by neuronal adaptation [ 13, 14].

The band launched into "Stir It Up," which only emboldened some of the distant voices: "More Bob Marley, or Ima fucking kill you!" A mustachioed saxophonist transcribed the threats on a scrap of paper from his shirt pocket.

He recreated this world in unforgettable movies, first with bitter realism in his painful monochrome trilogy, then more poetically in the diptych Distant Voices, Still Lives and The Long Day Closes.

A key feature of these evaluations, therefore, is the more distant perspective that the authorial voice takes as its vantage point from the historical landscape, evaluating the terrain in terms of broad patterns of cause, time and change.

She was not at all inaudible, but the center of her voice has grown more distant; its contours are recognizable, but it has lost some of its sumptuous stuffing.

In the post-Scalia era, it's a voice that feels ever more distant, hushed — and necessary.

The music that surrounds them also calls up Edenic memories: from the 1960s of folk-rock and the Beach Boys, and from a more distant, reverent past of Baroque and Renaissance polyphony; there are many interludes for voices alone.