The more we know about the auditory hallucinations of schizophrenia, the more complex voice-hearing seems and the more heterogeneous the voice-hearing population becomes.
That included rehearsal time in New York; reworking every aspect of the show for different staging (frontal rather than thrust) and smaller cast (14 rather than 32); open call for a professional cast; more complex voices; changes in choreography; and media.
But as the organisation became more complex, voices were heard questioning the use of the term team for this increasingly diverse collection of professionals [ 24] and the wisdom of introducing what Hunter called 'managerialism' into this unstructured context [ 25].
With the hard work of key writers Bridgette Dutta-Portman, Laylah Muran de Assereto, Morgan Ludlow and head writer Jennifer Lynne Roberts, writers received prompts each week to create a foundation, and then worked out more complex challenges, eventually melding the voices of eight writers into one voice.
Chair No. 3. The Offering/Seeking Chair adopts a more complex model of tone of voice (Campbell, 2005) that includes social-relational and contextual considerations.
Gap-in-noise stimuli may be considered a useful experimental analogue of more complex acoustic features such as voice onset time and phonemic separation (Eggermont, 1999; Frisina, 2001; Phillips, Hall, & Boehnke, 2002; Tomita, Noreña, & Eggermont, 2004).
Much of this new functionality is rooted in the use of ever more complex microprocessors that can handle both voice and video without killing the battery of a handheld device.
This vagueness is compounded by the fact that the TV can also process basic "voice commands" without having to resort to a third-party cloud service provider — yet the policy is still fuzzy on the distinction between basic voice commands and more complex speech commands.
The "true" voice space is likely to include a larger number of more complex dimensions, consistent with the intricacy of the voice production apparatus and the many associated acoustical dimensions [ 15, 17 19].
The situation with respect to the sounds corresponding to the Germanic voiced stops is more complex.
