Sentence examples for more complex spaces from inspiring English sources

Another (neutrally categorised) finding is unexpected, as more complex spaces (which can be related to a low isovist-area-to-perimeter ratio) seem to allow a higher recognition rate of words and images that had to be memorised in such complex interiors while the area (large or small) made no difference on such ratings (Dalton et al. 2010).

By recognizing the global geometric nature of the space of phylogenetic trees, this article shows that the fundamental statistical notions defined over linear spaces, such as sample mean, median and variance, can be generalized to more complex spaces such as the tree space.

A high jaggedness indicates a more complex space, both in terms of pedestrian accessibility and visual accessibility.

As the to-be-learned information becomes more complex, space in working memory is likely at a premium and remindings may require more working memory than is available.

At the same time, having three keywords does not reduce this false alarm rate significantly more, but instead generates a far more complex space in which the search for maximum S0 has to occur.

In the tool action condition, longer RTs in the space task are found, following the prediction of a more complex space task that requires the prior processing of goal/object information (Bach et al. 2005).

The fundamental relation presented in this paper can be used in the design of larger and more complex living spaces in modern urban settings.

The significance of cross-flow on the mechanism of advance of interfaces in tubes is related to imbibition in much more complex pore spaces.

This work has primarily focused on spatial navigation in horizontal planar environments: however, recently, interest has been growing in the means by which larger and more dimensionally complex spaces might be represented and used in navigation (see Jeffery et al. [2] for review).

Yet the best Allen films are generally ones in which that persona is either relegated to the sidelines to give the more complex characters space (Hannah and her Sisters, Crimes and Misdemeanors), counterbalanced by an equally distinctive character (Annie Hall) or simply absent (The Purple Rose of Cairo).

The parent model parameterizations are more complex in space and in time than IGRF models.