Sentence examples for more complex acoustic from inspiring English sources

One response to this is to search for more complex acoustic structures that correspond to perceived phonemes (see, e.g., Blumstein and Stevens 1981, Diehl et al. 2004, Holt and Lotto 2008 for the general auditory approach).

Subjectively, the team also identified more complex acoustic differences between the chimp's drum solos that could convey even more information, Slocombe says, though there were too few samples to analyze fully.

Frequency alone may be sufficient to assess species membership in relatively simple acoustic assemblages but the ability to use additional acoustic cues may have evolved in more complex acoustic assemblages to circumvent misidentifications as a result of the use of overlapping signals.

Rather, spectral inversion alters more complex acoustic features, including spectral and joint spectrotemporal modulations that are likely to be critical for disambiguating natural from synthetic sounds (e.g. Chi et al., 2005).

Gap-in-noise stimuli may be considered a useful experimental analogue of more complex acoustic features such as voice onset time and phonemic separation (Eggermont, 1999; Frisina, 2001; Phillips, Hall, & Boehnke, 2002; Tomita, Noreña, & Eggermont, 2004).

In fact, underwater acoustic channel is more complex than the model considered by the authors.

Second the distinction between normal and pathological voices is simply based on the correlation between acoustic features, while more complex classifiers are common in literature.

The rationale for the alternative way of data analysis is the following: The more complex the stimuli and the more acoustic variance is in the stimuli belonging to one particular experimental condition and the higher the level of information processing under investigation, the higher we expect the variance of the timing of a particular cognitive process to be.

This amount of speech data may be insufficient to estimate the SVM parameters reliably especially in the noisy condition, in which the boundary of each speaker model in the acoustic space can be more complex than in the clean condition.

The moving sound model could now be used as the basis of more complex systems involving the influence of room acoustics, for example.

To date, there has been no convincing evidence that cortical phase-locked activity in response to connected speech reflects anything more than an acoustic-following response for more complex stimuli.