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The book opens, most beautifully, with Clem reduced to a sort of moral fever in Ladbroke Grove, wandering the streets, desolate, impotent and aggressive, yet painfully sensitive to impression.
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Along with a host of other cult and alternative influences percolating into the mainstream, its presence was widely felt by the late 1990s, from the west's embrace of Pokémon fever, to tabloid moral panics, to the obvious visual transfusion received by The Matrix – which became the key touchstone for the next decade of Hollywood actioners.
Once again, the west is gripped by that old crusading fever, a combination of moral outrage at the wickedness of the unspeakable Saracens, combined with a pulsating lust for their riches.
Such "soft" skills don't necessarily come naturally to a people who have spent most of their life in an escalating fever of self-approval and moral superiority.
His plays, therefore, are forever taking his moral and emotional temperature; they are the chronological fever chart of his tormented soul.
Meanwhile, what about the moral courage of those who stood against the war fever of post-9/11 America to oppose the war in Iraq, or the moral courage of the men and women whose bodies and lives are forever scarred by their participation in this terrible folly?
Reunion fever!
Undulant fever.
Scarlet fever?
No fever.
Bucs! Fever!
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com