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Beats shed Monster as a manufacturing partner at the end of 2012, building the headphones itself.
It is no surprise that John Gardner, in his 1971 novel "Grendel," portrays the monster as a boy.
Do you think that you created a monster as a way of externalising the difficult feelings you couldn't cope with?
I liked the fact that although Frankenstein sees his monster as a brutal demon, the book allows readers to see events from the monster's perspective.
But Ms. Groff's novel, "The Monsters of Templeton," is so jampacked and busy that it treats baseball, as it does the monster, as a minor feature.
Back in October, I recommended Kent's nifty short film Monster as a primer for the feature, though perhaps it's best to face The Babadook cold.
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With nightfall comes dangerous monsters as well as an invisible menace (Charlie) which attacks you when you cannot see.
So perhaps it's appropriate that some of the liveliest examples (and some of the most influential) should appear, like Frankenstein's monster, as an unruly amalgam of dead elements.
Series designer Yuji Horii cited the monster as an example of Toriyama's skills, claiming it took "[artistic] power to take something like a pool of slime and use his imagination to make it a great character".
He also criticised the script for its "lashings of weapons-grade sentimentality" and for "throwing up possibilities that weren't followed up" and the monster as an "afterthought [posing]...no tangible threat".
A glowing orange sun with a yellow top surrounds the monster as though a halo might, casting an ominous figure.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com