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In A1 the resulting gradient of modulation rate runs approximately perpendicular to the axis of the tonotopic gradient, suggesting an orthogonal organisation of spectral and temporal sound dimensions.
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This organisation results in a modulation rate gradient running approximately orthogonal to the tonotopic gradients in the auditory core fields, A1 and R. In a first experiment we recorded the BOLD response to amplitude-modulated broad-band noise at six different rates (0.5, 2, 8, 32, 128, 512 Hz, see also [ Baumann et al., 2011]) across the auditory cortex of three monkeys.
In experiments at intermediate laser power (data not shown), the photophysical rate constant is lower and the bleaching/activation steady-state is not reached during the run; therefore a correlation exists between the temporal signal modulation rate constant and the extrapolated final amplitude.
Also, the average input power to the crystal ideally is constant regardless of the modulation rate.
Wang, Y. et al. Sensitivity to temporal modulation rate and spectral bandwidth in the human auditory system: MEG evidence.
This digital modulation rate operates with a frequency modulation range between 2.4 and 2.5 GHz [26].
Furthermore, Kreiman et al. showed that modulation extent affects perception more than modulation rate [13].
The modulation rate is higher for lower frequencies.
As for modulation parameters, modulation extent has been reported to be much more significant for the perception of tremor than modulation rate [9,10].
Spectral modulation rate is defined by the number of spectral peaks per octave.
The temporal modulation rate varied between −40 Hz (upward sweep) and 40 Hz (downward sweep).
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