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Their wide-ranging subject matter ranges from biblical narrative to national disaster; their modes range from ultrarealist to abstract, their moods from playful to spiritual.
The modes range from the cartoonishly figurative to the augustly abstract, and the mediums from paint and pencil to toxic chemicals and meteorite dust.
Their modes range from geometric patterning, like the all-over grid imposed on a field pulsing with shades of blue in Vik Muniz's "After Yves Klein (From Pictures of Color)," to the convoluted, free-flowing sculptural forms in black and white of Winfred Evers's "Moving Still".
The T850's 30 preset modes range from standard auto and video to more exact settings such as "Museum," "Party," "Beach" and "Fireworks".
These modes range from dilute flow, where the grains are entirely suspended in the gas, to moving dunes and slug flow, in which the bore of the pipe is blocked by a slow moving plug of material.
Background layers in most modes range from 32 x 32 to 64 × 64 tiles, each of size 8 x 8 or 16 x 16 pixels, with each tile on one of two planes ("foreground" and "background") and using one of 8 palettes.
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The chassis system has five modes, ranging from Comfort to Slippery, Sport, Off-road and Individual.
There are six play modes, ranging from the original standard mode, for purists, to touch mode, where you use the stylus to drag, spin and drop the falling blocks (Tetrominoes) into position.
There are eight different main modes ranging from tap, reverse, rhythm, and tape mode.
The car offers several tiers of drive modes, ranging from Eco to Sport+, with a Snow option thrown in for good measure (or, you know, traction).
It has 21 scene modes, ranging from close-up to "baby" and offers on-board color and brightness adjustment using Kodak's Perfect Touch technology.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com