Sentence examples for modes of visualization from inspiring English sources

In response to Dreyblatt's installation work, students discuss artistic and technical modes of visualization of archival practice and memorization.

Anthony's evocation of the city through maps, old and new, leads him to other modes of visualization, including physical models and video games, and those representations turn visionary, transforming a concluding sequence of civic pride and good cheer into a brilliant fantasy of radical political utopia.

This second refusal of seriality inserts single seeing (one image after another, each the center of itself) into a growing array of virtual, recapitulative and variously multiple imaging practices as well as interactive, kinesthetic/perambulatory and haptic modes of visualization, such as fly-through architectural and medical simulations.

The key categories comprising this central theme include: (a) functional criteria, which include information displayed in the visualization, modes of visualization, and visualization techniques, and (b) non-functional criteria, which include hardware and software considerations such as integrality, extensibility and portability.

Harnessing different modes of visualization, i.e., 3D and 4D, to present different types of information from disparate sources enhances the ability to absorb the content, as well as the ease of its access, when required (Pantea et al. 2011).

Likewise, our initial interactions with engineers during a risk assessment session showed that the visualization requirements and corresponding modes of visualization vary as per the background of an engineer.

The client will be capable of processing and displaying real time and aggregated data in different dimensions such as time, location, level of detail, mode of visualization, etc.

Then, choose mode of visualization ("Bar animation" and "Arrow animation") ticking either "Arrows" or "Bars" in "Select type of visualization" section.

In addition, we added a complementary mode of data visualization and analysis, the 'Cluster' mode, where the window width is defined by a number of clustered genes rather than nucleotide range.

As a extension of his past work with the MacArthur Foundation's Digital Media & Learning Initiative, he collaborates on the development of a new interdisciplinary project that connects the study of the material culture of art history, architecture and archaeology with new media modes of representation and visualization.

It allows users to choose a time interval of interest and a variety of visualization modes, initial settings, and options in the setting part (i.e., left part of the main window).