Sentence examples for modes of character from inspiring English sources

Exact(1)

Kent has done her research so thoroughly that she can, for the most part, inhabit a lost world without needing to tell us how it works; the exceptions are in the first third where an unnecessarily repetitive flow of mucus highlights the nasty, brutish and short nature of peasant life and gets in the way of more subtle modes of character development.

Similar(59)

We implemented the ACCTRANS mode of character transformation which results in accelerating the transformation of characters in trees.

• The "anchorizer" is arriving weeks after a corporate sibling of Fox Broadcasting, 20th Century Fox, promoted "The Simpsons Movie" with www.simpsonizeme.com, which creates images of users in the mode of characters from "The Simpsons".

Sometime in late 1850, Melville had probably come upon Coleridge's shrewd remark about "Hamlet," that "one of Shakespeare's modes of creating character is to conceive any one intellectual or moral faculty in morbid excess, and then to place himself... thus mutilated or diseased, under given circumstances".

But she is also interested in more conventional modes of developing characters; in the hands of the director, Anna Brenner, and a nimble ensemble, "The Hotel Colors" generally manages to satisfy the script's somewhat awkwardly abutting stylistic and storytelling interests.

The procession of creatures in the order of conceptional reality moves through three modes of being (specific character, ideal form, and image) culminating in beings that are specific in character, and are images, but without the proper character of individuation.

The coupled-mode-theory is used to calculate the coupling between the SPP and photonic-mode for the estimation of mode character.

But there's a more modest form of imagination that's within the reach of more directors: a practical imagination that, within familiar modes of storytelling, considers characters with a quasi-documentary, journalistic curiosity and empathy.

The mode of reference fundamental to symbol systems is denotation: characters denote, stand for items in the field of reference.

Stirner is clearly committed to the non-nihilistic view that certain kinds of character and modes of behaviour (namely autonomous individuals and actions) are to be valued above all others.

In his 1962 pamphlet, Revisionism and Brainwashing, Barnes claimed that there was a "lack of any serious opposition or concerted challenge to the atrocity stories and other modes of defamation of German national character and conduct".

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