Sentence examples for modern troubles from inspiring English sources
We have survived as a family business two world wars, the aftermath of the Easter Rising and the modern Troubles.
As an exposure of the modern troubles of these unique, tight-knit communities of Travellers, it sets you travelling on the right road.
Though the modern Troubles are over, every election in Fermanagh and South Tyrone reverts to this ancient quarrel: the struggle between unionists hanging on to their British identity in the frontier constituency and nationalists determined to bring the region into an all-Ireland entity.
And in 1977, amid the modern troubles of northern cities, he wrote an influential essay, Urban Decline in Late Medieval England, which showed that towns in that period had economic problems, but also suffered from a reluctance of civic leaders to accept the burdens of office.
Presumption, pride, gluttony and cruelty figure prominently in the story, and it's not such a stretch to imagine they might have something to do with our modern ecological troubles as well.
Good times, at last Europe, Russia and in-between Reprints Related items Germany's ex-chancellor: Schrö der revisitedOct 19th 2006Dmitry Medvedev, whom Mr Putin last year made a deputy prime minister, suggests a version of Russia as a modern, if troubled state.
Having set this historical background, Berry begins his true project — the use of funds in the American church during its modern time of troubles.
DECADES on, it's curious how much Minimalism, the last great high modern movement, still troubles people who just can't see why a stack of bricks or a plain white canvas with a line painted across it should be considered art.
Like The Two Gentlemen of Verona, in which two friends appear to approve of rape, the Shrew's story of the taming of a woman's independent spirit by a man sometimes troubles modern critics and directors.
True, no great Portuguese modern architect was troubled by the brief for The Yeatman.
Whenever it intrudes, the modern world brings trouble in a story, A. O. Scott wrote in The New York Times, "impossible to dislike, but not especially memorable, engaging but finally derivative: García Márquez by way of Hollywood".
