Sentence examples for modern prism from inspiring English sources

Exact(6)

"Classic Instruction" (The American Golfer) takes the time-honored lessons of Bobby Jones and analyzes them through the modern prism of a golf traditionalist, Ben Crenshaw.

There is a direct line from Jeremy Lee to Simon Hopkinson (with whom he cooked at Bibendum) and via him back to the solid "Continental" virtues of Elizabeth David, all refracted through a modern prism.

The name is taken from Mozart's Masonic lodge, and the aim is to refract the composer's spirit — in particular, his recurrent themes of transformation and reconciliation — through a modern prism.

Skonberg, who likes to reimagine older jazz songs through a modern prism, once interpreted the 1920s stomper "King of the Zulus" as a collaboration between Armstrong and Jimi Hendrix.

This project focuses on the leachates from landfill prisms, including modern prism (MP) that meet EU requirements and previous prism (PP) that provide for the storage of permitted biodegradable waste as well as technological wastewaters from sorting unit (SU) and composting unit (CU), which are usually overlooked.

He helped pioneer an approach to Shakespeare that creatively engages the historical contexts of the plays, examining the sociopolitical forces at work on the characters and the author through an unapologetically modern prism.

Similar(54)

This daylong hurdle is not to be missed, a singularly post-modern prism on a novel that will reach the London stage again in August, in a new musical.

Additionally, sediments of the Shikoku Basin, which opened as a back-arc basin behind the Izu-Bonin arc-trench system between 26 to 15 Ma (Chamot-Rooke et al. [1987]), are actively accreting at the plate boundary and forming a modern accretionary prism.

Santanu Das on seeing past conflicts through the prism of modern multiculturalism.

It's more valuable to set these shows in the present, the world we recognize, or at least to project modern themes through the prism of genre entertainment.

David Ludwig and Katie Ford's one-woman opera (written for the period winds of the ensemble Piffaro, the modern saxophones of the Prism Quartet, and the soprano Hyunah Yu) conjures a time of medieval mysticism, but the social dynamic it highlights—one that honors women only by relegating them is not bound by any era.

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