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In similar vein to Cooper, Stephen Regan notes in an essay entitled "Philip Larkin: a late modern poet" that Larkin frequently embraces devices associated with the experimental practices of Modernism, such as "linguistic strangeness, self-conscious literariness, radical self-questioning, sudden shifts of voice and register, complex viewpoints and perspectives, and symbolist intensity".
The greatest modern poet is Iqbāl.
He was Nazim Hikmet (1902-1963), Turkey's great modern poet.
Joan Maragall was Catalonia's first great modern poet; he exerted a powerful influence on later poets.
German poet Heinrich Heine hailed Racine as the first modern poet.
He was indeed considered his country's greatest modern poet by admirers.
In Budapest he encountered the work of the great modern poet Attila Josef.
"He's a modern poet," says Audiard. "The only problem is, I haven't asked him yet".
He also became influenced by Hebrew literature from the Torah to the modern poet Yehuda Amichai.
All American literature, said the modern poet John Berryman, pays "homage to Mistress Bradstreet".
"The Bridge" was meant to show that "ecstasy" was as valid for the modern poet as despair.
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