Sentence examples for modern overload from inspiring English sources

Maybe the influence lies in part with a new season of Downton Abbey here in the U.S. or the fact I am on Mid-Century modern overload, but one of the looks I would love to see regain its status in 2015 is English Country Style.

And when Rolling Stone claim that in the video "the band attacks governmental data surveillance and modern information overload", I am going to watch the shit out that, even if the mention of KoЯn's name – or just a backwards "R" – makes me involuntarily cringe as a deluge of embarrassing teenage memories come flooding up from deep inside me.

And when Rolling Stone claims that in the video "the band attacks governmental data surveillance and modern information overload," I am going to watch the shit out that, even if the mention of Korn's name or just a backwards R makes me involuntarily cringe as a deluge of embarrassing middle-school memories come flooding up from deep inside me.

Instead, Reich argues the best way to defeat the modern sense of overload - and find a true sense of purpose - is by learning to think big.

Even his most original trope, the split-screen, in which he creates an audacious counterpoint of images, veers from a thrilling representation of modern-day information overload to the visual equivalent of academic composition, in which contrasts and clashes are downplayed in favor of coherence and consistency.

This was all surely part of the intention, a simulation of the disorienting overload of modern culture.

Separately, the CD case and cover make striking statements about the powerful oneness of nature and the information overload of modern media, respectively.

Like traditional Tibetan thangkas, the contemporary paintings here are often dense with imagery — but they create a cacophony (perhaps simulating the overload of modern-day consumerism) rather than encouraging spiritual meditation.

The theory describes that nutrient overload in our modern society of affluence gradually increases the involvement of immune system pathways.

All these feedback loops create a trippy, kinetic Cubism reflecting a distinctively modern delirium of perceptual and cognitive overload.

Add in poems by Sylvia Plath and Anne Sexton, and you have a serious case of sensory overload in which the multiple modern narratives distract from, rather than illuminate, the music.