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Moving on from the hula hoop bag of last summer, some models wore two bags.
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Her most recent show was a sock spectacular, with female models wearing two pairs of slim, ribbed, artfully baggy versions, caramel-coloured layered over grey.
If you see a waistcoat that you think is hideous, don't buy it just because you saw a model wearing one!
And no matter what outfit the models wore, every single one of them looked uncomfortable on those stilts.
The touches of realism were present – jackets were triple stitched for durability, and two models wore spectacles – but looked elevated enough to pass as high fashion.
At Thakoon, the inspiration was the harsh climate of Patagonia, and models wore calf-length skirts with two layers of knit: one snug and to the hip, with a "shoulder-topper" of a chunky high-necked knit cropped above the waist.
A couple of the models wore bright lipstick as well, one in a shade of blue so vivid it looked as if she had just downed a Slurpee.
And these observations called to mind a Thom Browne fashion show held earlier in the week at the New York Public Library, one in which models wore garments that, like insect carapaces, projected from their bodies, armoring them.
It began with the Chloé spring/summer 1999 show, when designer Stella McCartney sent models down the catwalk wearing two distinctive items: a T-shirt and a bikini, both printed with airbrushed images of sunsets and palm trees.
He wore one, too.
Her models wore flats.
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CEO of Professional Science Editing for Scientists @ prosciediting.com