Pictures of the current crop of celebrity Big Brother contestants, from former football manager "Big" Ron Atkinson to model Sophie Anderton are plastered onto old TV screens in the middle of the lounge.
Model-train makers are plastered all over the covers of magazines, and stage train-building smackdowns on TV, and are treated as the new rock stars.
Drawback is that sometimes other clients do not want to use a model whose face has been plastered all over beer ads.
Their logo is plastered everywhere.
Like adding wallpaper to a blank wall, the model is then plastered with photographs, thereby creating an exact replica of the scene.
This was her so-called MaVeNS strategy, an acronym for "mobile, video, native advertising, and social". She recognized, accurately, that Yahoo's business model was to plaster advertising on everything it touched.
Superbly preserved, the plaster model was executed after, not before, the famous marble version in the Solomon R. Guggenheim Museum in New York.
In a recent interview, Fraser argued that this "caustic, chic and contrary" woman has been unfairly "airbrushed out of the story" — known these days only as the model for Canova's semi-nude marble statue of Venus Victorious, a tourist attraction in Rome since 1804, when the first plaster model was cast.
