Sentence examples for model of the artifact from inspiring English sources

A pre-requisite of our methodology is the acquisition of an accurate digital 3D model of the artifact, which is now possible at affordable costs using 3D scanning technology.

An author's productive intention is often expressed by cognitive artifacts which show the character of the intended artifact and the way it should be constructed, for example, a drawing, a diagram, or a model of the artifact, together with a list of parts and materials and a set of instructions (a precept) for the production process.

Using this same database, Ruiz et al. [ 53] fitted the time-varying Fourier series model of the artifact by means of a Kalman filter.

Researchers who recently created 3D models of the artifacts say they each share similar characteristics: large eye holes, gaping mouths, a resemblance to skulls, and punctures on the edge that may have been used to help wear them.

Using a process called photomodeling, the Harvard team photographed sculpture fragments in the museum's collection from hundreds of angles to create 3-D renderings of each piece, then meshed them together to form a semi-complete 3-D model of the original artifact.

The aggregate model is the artifact of merging information from behavioral and structural UML views.

With motion simulators, a model of the International Space Station and artifacts from NASA and the Canadian Space Agency, SpacePort was designed to attract space aficionados as well as travelers whiling away time between flights.

In what could be one of the most interesting and important uses of 3D scanning to come along in a long while, the Initial Training Network for Digital Cultural Heritage is working to collect photographs of the destroyed statues that can be used to piece together 3D models of the destroyed artifacts.

One such argument is that the separation of science and design is an implication that can be drawn from the Simon Kroes model of the nature of technical artifacts.

This paper argues that the Simon Kroes model does not imply a radical separation between science and design: if we accept the Simon Kroes model of the nature of technical artifacts and their production, then we must also accept that all the sciences also produce technical artifacts, and in importantly similar ways.

In a technique called pair correlation PALM (PC-PALM), the PCF approach is extended by means of a model to differentiate the artifact clusters due to fluorophore photoblinking from true proteins clusters (Sengupta et al. 2011).