"mode of reading" is correct and usable in written English.
You can use it to describe a certain way of reading, such as skimming, deep reading, or speed reading. For example: "My teacher suggested that I use a different mode of reading for this article since it's quite long."
Bayard defends skimming as a mode of reading.
"What happens when 20 to 30percentt of book readers use digital as the primary mode of reading books?
You can see the ways in which Bloom resembles, and is also finally fundamentally different from, this mode of reading.
One might have expected Howard, too, to turn to an auditory mode of "reading" and writing, but his course was very different.
I don't think we're really talking about an atemporal mode of reading here, because that would be evacuated of meaning, like Will's pseudo-Virgil example.
The science fiction setting "appears to predispose readers to a less effortful and comprehending mode of reading – or what we might term non-literary reading – regardless of the actual intrinsic difficulty of the text", they write.
The ratio of the mode of read depth for the reference plasmid (pMUM002 for Mu_06-3844, Mu_JKD80719, Mu_L158071, Mu_1G897Mu_1G897 and pMUM001 for all other M. ulcerans strains) was compared to the mode of read depth for the chromosome.
The detailed view presents information on the genomic locations of PA sites, the number of supporting reads, the median and mode of read ends in these clusters and links to a list of lost miRNA binding sites in the case of non-canonical PA site usage.
This isn't Nicholas G. Carr's "The Shallows". Wolf thinks (hopes) that a "biliterate brain" will evolve in young humans, who could learn to develop "distinctly different modes of reading from the outset". She wants kids to become "expert code switchers," able to move among media and from light reading to deep analysis and back again the way bilingual people switch between languages.
My book project examines modes of reading cultivated by a group of late eighteenth- and early nineteenth-century novels and tales, asking what aesthetic experiences like being held in suspense, feeling complicit, or longing for a different plot have to do with living in a political collective.
Her book project examines modes of reading cultivated by a group of late eighteenth- and early nineteenth-century novels and tales, asking what aesthetic experiences like being held in suspense, feeling complicit, or longing for a different plot have to do with living in a political collective.
