The phrase "mode of analysis" is correct and can be used in written English.
It typically refers to the method or approach used to examine or understand something. Example: The researcher utilized a qualitative mode of analysis to understand the participants' experiences with the new curriculum.
Rather it was a mode of analysis, a doorway to understanding modern thought and culture.
The problem was that it didn't offer any insight as a mode of analysis: a civil war is a civil war.
She acknowledged that the mosaic approach "is a common and well-established mode of analysis in the intelligence community," but that the legal system required more specific evidence.
I said, 'You remind me of a bunch of Nazis saying, I'm still a good Nazi.' It's not a theology: it's a mode of analysis.
And while all except O'Reilly have gotten over it - even Peggy Noonan has turned on Bush - it has apparently not led them to question their character-counts, politics-as-large-family mode of analysis.
In the United States particularly, anthropologists used this mode of analysis in a variety of domains ranging from kinship terminologies to ethnoscience (as with indigenous plant classification schemes).
He saw that modern free-market economies, left to their own devices, produce gross inequalities, and he transformed a mode of analysis that goes all the way back to Socrates — turning concepts that we think we understand and take for granted inside out — into a resource for grasping the social and economic conditions of our own lives.
The very mode of analysis invoked by a series in which the parsing of character and study of intention take precedence is the one for which "The Godfather" seems to have been created, and which, for that matter, those films may have created.
Though engagement and detachment each has its characteristic hazards, it's clear that Mr Brooks aims to denounce the deranging engagement of those like Mr Krugman, whilst praising his own relatively Olympian mode of analysis.
In this sense, Marx's mode of analysis, like those of Thomas Malthus, Herbert Spencer, or Vilfredo Pareto, has become one of the theoretical structures that are the heritage of the social scientist.
The very mode of analysis invoked by a series — in which the parsing of character and study of intention take precedence — is the one for which "The Godfather" seems to have been created, and which, for that matter, those films may have created.
