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Mr. Reed respects tonal harmony up to its breaking point in the modal jazz of the 1960's; Mr. Rivers crashes through that point to let his music speak in clusters and collisions as well as melodies.
Though EMI had hopes for them to follow the success of tourmates Duran Duran, Hollis was less inspired by the staple early-80s influences of Bowie and/or punk that had gone before and instead preferred everything from Satie to the Seeds to the modal jazz of Miles Davis.
Modal jazz of this type was not unique to this album.
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Eddie Palmieri's music is brilliantly volatile, leaping from fierce dance vamps to splashy, experimental modal jazz to deep traditional rumba percussion.
Mr. Palmieri's music is brilliantly volatile, leaping from fierce dance vamps to splashy, experimental modal jazz to deep traditional rumba percussion.
What he was playing was a modal jazz arrangement of "Sakura," the Japanese folk song.
From the rhythm-and-blues "Frosty the Snowman" to the brass-band "Santa Claus Is Coming to Town" to his own cheerfully swinging "Happy Elf" to modal jazz versions of "I Wonder as I Wander" and "Nature Boy," Mr. Connick is best when he's uptempo, since the string-laden ballads tend to droop.
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Mr. Russell explained the concept in great detail in a book that came to be considered the bible of modal jazz, "The Lydian Chromatic Concept of Tonal Organization for Improvisation".
Kind of Blue is representative of modal jazz - i.e., based entirely on modality in contrast to Davis's earlier work with the hard bop style of jazz and its complex chord progression and improvisation.
Evans was a key figure on Davis's Kind of Blue (1959), a milepost of jazz history and perhaps the finest recorded example of modal jazz, a style that eschews complex chords in favour of free melody.
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