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"It was an era of misery, no doubt.
Let him drink, and forget his poverty, and remember his misery no more".
Let him drink and forget his poverty, And remember his misery no more.
The misery, no doubt, was real, but the exercise smelled too much of propaganda to be of any genuine interest.
I read novels only if they exercised rage and misery — "No Country for Old Men," not "The Ambassadors".
With nobody glowering over her, nobody's mood infecting her with misery, no implacable mysterious silence surrounding her.
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Picoult's storytelling revels in sequential miseries — no singular unhappiness ever seems sufficient.
They brood about the corroding effects of time even as they squander it, and they are endlessly fascinated by their own quirks and miseries — no one more so than Ivanhov himself.
No wise man but discerns its imperfections, no good man but shudders at its miseries, no honest man but proclaims its fraud, and no brave man but draws his sword against its force.
What is Riley — who gave us such canny axioms as "Winning and Misery" and "No Rebounds, No Rings" — attempting to prove?
What do you do at the very moment of stepping from deeply affecting music and pretend suffering into misery which no great composer has laboured over and no singer rendered exquisite?
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com