Sentence examples for mirrors on which from inspiring English sources

The result was Drawn From the Well, covering the courtyard's ancient wellheads with mirrors on which appeared her delicate drawing of tears and ripples.

Ms. Peabody's "My Sidewalk" (2009), a mysterious, occluded narrative installation, is composed of paving stones made of mirrors on which she has engraved images of childhood objects and memories — a comb, a teddy bear, a manhole cover.

With an efficiency of about 70 percent in mirror-reflected light, our pilot tests with miniaturized models indicate we can obtain an output of about seven suns from 10 mirrors on which 10 suns of light fall when the sunlight is concentrated on a solar panel.

This generation, thanks to the internet and how it has uncovered the "smoke and mirrors" on which the allure of luxury brands are based, are discovering they can acquire luxury-quality goods at significantly lower prices.

Mr. Carter's song cycle, "A Mirror on Which to Dwell," was one of the composer's first forays back into writing for the voice, in the 1970's; both it and John Harbison's more recent cycle "North and South" are settings of poems by Elizabeth Bishop.

Mirrored, on which Mick Kinane carried a couple of pounds overweight, did not get the clearest of passages.

Another focus will be on Elliott Carter, whose Elizabeth Bishop song cycle, "A Mirror on Which to Dwell," will be presented by the festival on June 16th.

A photo album of the scarring and a photo of Mr. Renfro are included with a mirror on which "Brad Renfro Forever" has been written in lipstick.

"A Mirror on Which to Dwell," a setting of Elizabeth Bishop poems from 1975, was followed by "Syringa," settings of John Ashbery, in 1978, and "In Sleep, in Thunder," settings of Robert Lowell, in 1981.

The same program included Jo Ellen Miller's bright-hued account of "A Mirror on Which to Dwell" (1976) and "Mad Regales" (2007), a new work for vocal sextet in an updated madrigal style.

With "A Mirror on Which to Dwell" (1975) and "Syringa," he began reconsidering the voice, and he continued his exploration in "In Sleep, in Thunder" (1981) and "Of Challenge and of Love" (1994), vocal chamber works that in retrospect seemed steps on Mr. Carter's path to opera.