In both cases, human culture is seen as mirroring structures at the foundation of the natural world.
After his first major book, An Inquiry into the Good, Nishida came to explain this differentiating development not in terms of a temporal process but as the self-reflective or self-mirroring structure of a whole.
Specifically, the AwI teacher PD program comprised: 1) a series of five biweekly seminars (mirroring the structure of the AwI Seminar for students); 2) weekly school-based team meetings preceding and during implementation of the Seminar; and 3) two classroom observations by research staff during implementation, each combined with one-on-one, post-observation coaching.
As per the requirements of the CQRS, Falun Gong was organized into a nationwide network of assistance centers, "main stations", "branches", "guidance stations", and local practice sites, mirroring the structure of the qigong society or even of the Communist Party itself.
The discussion that follows is partitioned in three parts, mirroring the structure of Section 3: the first part concerns the neural network model itself; the second part the ability of the network to exhibit spontaneous HNC formation through Hebbian learning; and the last part the simulation of effects of lexicality and attention.
The layout more or less mirrors the structure of a companion monograph produced to accompany an earlier, similar exhibition of Weston's photographs at the Huntington Library in 2003.
Kent would be a platform for further UK expansion, with Flowers aiming to create a business unique to the UK but which mirrors the structure of Crédit Agricole.
The gang constructed a parallel universe that was entirely make-believe but which mirrored the structure of the real Medicare system.
It mirrors the structure of Homer's Odyssey, transposed to Dublin and taking in many of the city's landmarks, including Davy Byrne's pub, the Martello tower at Sandycove and Trinity College.
The Vedic idea of the correspondence (bandhu) between microcosm and macrocosm was applied to the medieval temple, which was laid out geometrically to mirror the structure of the universe, with its four geometric quarters and a celestial roof.
Such effects don't come cheap, and though the striking visual idea mirrors the structure of the opera itself, in which dramatic conceits nestle within one another like Chinese boxes, it is an extravagance: very little happens on the upper level, for all the machinations of the Prologue are played out below stairs.
