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Thursday night's program intriguingly paired Tchaikovsky's Symphony No. 1 in G minor ("Winter Daydreams") with the Symphony No. 6 in B minor ("Pathétique").
Two less than common works — Stravinsky's charmingly wry Suite No. 2 and Tchaikovsky's ash-hued Symphony No. 1 in G Minor ("Winter Dreams") — will be heard along with Mendelssohn's Violin Concerto, in an interpretation by the technically flawless and quietly intense violinist Christian Tetzlaff.
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David Fincher directs this adaptation, by screenwriter Eric Roth, of a minor 1921 story by F Scott Fitzgerald.
The two appeared together in the minor 1990 thriller "Brain Dead".
The program closed with a step back, to Elgar's Quartet in E minor (1918).
This is particularly the case in the Symphony No. 4 in C Minor (1816; Tragic).
These included his Violin Concerto No. 2 in G Minor (1935) and the ballet Romeo and Juliet (1935 36).
Of his eight symphonies, only Symphony No. 4 in F Minor (1877), Symphony No. 5 in E Minor (1888), and Symphony No. 6 in B minor (1893; Pathétique), actually fourth, sixth, and eighth in order of composition, are well known.
During these years Brahms composed the boldly conceived Double Concerto in A Minor (1887) for violin and cello, the powerful Piano Trio No. 3 in C Minor (1886), and the Violin Sonata in D Minor (1886 88).
There he wrote three of his major scores: the Symphony No. 2 in E Minor (1907), the symphonic poem The Isle of the Dead (1909), and the Piano Concerto No. 3 in D Minor (1909).
In Bach's Violin Concerto in A minor (BWV 1041) she played with her trademark rich, sweet tone, but minimal vibrato.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com