Sentence examples for miniature effect from inspiring English sources

The addition of Fish-eye and Miniature Effect modes help photographers add a creative element or lend a humorous look and feel when capturing images of their favorite household pet or landscape scene.

* Users can also make a scene appear like a small-scale model, simulating the look from a tilt-shift lens, with Canon's Miniature Effect filter, great when shooting any scene from a high vantage point.

Obviously it's not the equivalent of something like Photoshop, but you can add things like a black border, skin softening, straightening, and even more interestingly a "miniature effect" – which is the equivalent of a tilt-shift lens, allowing you to make a full size scene look like a miniature display.

A miniature effect was used for the exteriors of the Cobblepot Mansion in the opening scene and for Wayne Manor.

The crew instead adopted miniature effect techniques (playing on perspective) to achieve the illusion of size and grandeur for several scenes.

I'd say 'Get out of the wave [on this frame].'" The film also features extensive miniature effect shots provided by 32TEN Studios, under the supervision of ILM VFX Producer Susan Greenhow and ILM VFX Supervisors John Knoll and Lindy DeQuattro.

Andrew Pulver Alien is a perfect storm of talents: Dan O'Bannon and Ronald Shusett's lean screenplay; Derek Vanlint's moody cinematography; Jerry Goldsmith's haunting score; Brian Johnson's miniature effects, and a cast including Sigourney Weaver, Harry Dean Stanton, Ian Holm and John Hurt.

Alien is a perfect storm of talents: Dan O'Bannon and Ronald Shusett's lean screenplay; Derek Vanlint's moody cinematography; Jerry Goldsmith's haunting score; Brian Johnson's miniature effects, and a cast including Sigourney Weaver, Harry Dean Stanton, Ian Holm and John Hurt.

That drove the primitive technology forward: puppets that could "speak", groundbreaking miniature effects and even the first video assist – a system that allowed the entire crew to see what the camera was shooting, not just the cameraman.

Scott also had disagreements with miniature effects cinematographer Dennis Ayling over how to light the models.

For the rest of the film, Chris Corbould, the special effects and miniature effects supervisor, returned to a more realistic style of film making and significantly reduced digital effects.