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Even in the absence of overt contextual manipulations, comparisons between direct and averted gaze may indirectly manipulate the engagement of approach/avoidance mechanisms and other higher order social cognitive functions associated with direct and averted gaze, such as theory of mind responses to eye contact (Emery 2000; Senju and Johnson 2009; Shepherd 2010).
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These too have a remarkably modernistic look that calls to mind ceramicists' responses to Abstract Expressionism in the 1950s and to Minimalist tendencies in the 1960s.
The violent Pacific Ocean smashed against the rocky coastline while my young, bright-eyed comrades and I role-played indefinitely, inventing clever mind-fuck responses to citizens who objected to giving us money after we banged on their doors, inevitably interrupting dinner.
To get a better understanding of his mind, and our responses to him, it is surely time to turn to the psychiatrist's chair.
Jeter was making a surprise appearance at his Turn 2 Foundation's annual holiday event and did not seem to mind that his responses to questions about Manny Ram z were nearly drowned out by the bass of top-40 hits and the treble of adolescent shrieks from the ice.
Rather, he outlines situations in which it might be worth considering the use of monetary policy as a regulatory tool, and he advocates that his colleagues at the Federal Reserve "keep an open mind" when considering responses to what look like potential financial threats.
With this in mind, the observed responses to mechanical stimuli herein may only be relevant to proto-myofibroblasts.
In the free-association test, the subject is told to state the first word that comes to mind in response to a stated word, concept, or other stimulus.
He had planned to travel by sea, but changed his mind in response to her phone call begging him to fly.
Mr. Cameron, a Conservative, initially resisted setting up an immediate inquiry, but changed his mind in response to widespread public disgust and growing political pressure from the opposition Labour Party.
Taking his cue from Coleridge, the British aesthetician I.A. Richards in Principles of Literary Criticism (1924) developed a closely reasoned theory of the mind's response to rhythm and metre.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com