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In one early interview, with Oyster magazine, right after photos of that first bagel bag began to circulate, she ferried the question of what sort of artist she is with a characteristic mix of deprecation and expansiveness, conveying her spirit better than any pithy one-word descriptor might, replying: "Mixed-Media-Canadian-Jew-Brat-Comedy-Art?
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"Harsh," my interlocutor might reply.
Not so fast, a Davidsonian might reply.
"Dream on!" most modern parents might reply.
"Poor sods," her colleague might reply.
To which critics might reply: Tumble?
Ah, Mr Kedward might reply, but that is France.
"Do we need to love Agassiz?" we might reply.
Environmentalists might reply that virtue is its own reward.
To which Housman might reply, "Best place for them".
To which Merkel and co might reply: leave then.
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